Making a Kaffe Fasset Quilt – Taking a Class With the Master of Glorious Color

Making a Kaffe Faasset Quilt with the master of glorious Color

Last updated on March 31st, 2020

If the quilting world has a crown prince, it has to be Kaffe Fasset. Known for his exuberant use of color, Kaffee has built a design empire that extends to fabric, knitting, needlepoint, mosaics and patchwork. Whether it’s a sweater, a needlepoint pillow or quilting fabric, his uniquely colorful style is instantly recognizable. He has published many books, including over 20 beautifully photographed quilt pattern volumes which make it easy to produce one of his trademark designs. But making a Kaffe Fasset quilt in a class taught by the master of “Glorious Color” brings you up close and personal to his creative genius.

The Master of Glorious Color

Not long ago, I was in Dubai to check out the biannual Dubai International Quilt Show which I was covering for an article in Quiltmania magazine. The quilt show week-long program included classes by big name quilters and that year, Kaffe Fasset was the keynote speaker as well as one of the quilting instructors. It goes without saying that I signed up to take a class with the maestro himself.

You could say I’ve known Kaffe for about 30 years – though he does not know me. In the mid 1980’s when I was deep into knitting, he came out with his landmark knitting design book. He had made his mark as a designer in the knitting and fashion world when his very first ever knitting project was featured in the Vogue Knitting magazine.

My collection of Kaffe Fasset books and fabrics

I remember the first time I saw those patterns in his classic book Glorious Knits – I was mesmerized. The designs and his unrestrained use of color were so unique and different – he wasn’t knitting – he was painting with wool. I dogeared the pages of the book to mark the patterns I loved but never got around to trying one. For me, his knitting designs were not exactly easy or quick and I was busy starting a career and a family.

Fast forward many years later when my interests moved from knitting to quilting. During those years, Kaffe’s design world also expanded to encompass needlepoint patterns, mosaics, fabric designs and quilt patterns. I found his first quilt design book, Glorious Patchwork, to be equally innovative and inspiring. And since I also love bright colors, I am always instinctively drawn to his fabric collections.

Kaffe FAsset autographs his books at the Dubai Quilt Show

At the Dubai Quilt Show I finally had a chance to see and meet him in person. Most everyone at his opening lecture and in fact at the quilt show itself, was there to see him specifically. Yet despite this popularity he accepted the adulation with grace and humility, patiently signing quilt books and posing for cell phone photos with the attendees.

During his keynote address Kaffe shared his life story and his many sources of inspiration in a talk appropriately entitled “Color Lecture”. He was born on Dec 7, 1937 in San Francisco and spent most of his childhood growing up on the California coast in Big Sur.

Kaffe giving his Color Lecture at the Dubai Quilt Show

He was christened Frank Havrah Fasset but as a teenager decided to change his name to the more artistic sounding Kaffe (rhymes with safe) after an Egyptian character in a children’s book. He freely admitted that he was fortunate to grow up in the 1950’s in an atypical home and school environment that supported and encouraged his natural artistic creativity.

Kaffe started his artistic career as a painter, first in the US and then in the UK where he moved in 1964. He eventually discovered that he had a greater passion for textile design which is where his successful career ultimately took him. Listening to his talk it was clear that his eye and his mind were wired to see color and pattern in ways that most of us do not. He showed us how he finds inspiration in the smallest things, like the color variations of lichen covered stones or the shade gradations in a geranium leaf.

Not only is Kaffe exuberant in his tactile use of color he is also extremely passionate and erudite when he talks about color in his creative world. His language was liberally sprinkled with terms that are usually used in other contexts. Adjectives like “delicious”, “voluptuous”, “fresh”, “juicy”, and “passionate” were liberally sprinkled in his vocabulary and rolled off his tongue easily. Where we might just say shades of red, to him it was “flaming red”, or “pungent blue”, or “mustard green”. His descriptive language about color was as inspiring as the products he designs.

Making a Kaffe Fasset Quilt

Kaffe’s Color Lecture was a brief prologue to the all-day class that was in store for us the next day. We would each be working on designing the Green Diamonds pattern from Kaffe’s Quilts in Ireland book.

Kaffe Fasset and Brandon Mabley stand in front of Kaffe’s Green Diamonds quilt

Talking to many of the other classmates it was clear the majority were attending this quilt show just so that they could take this workshop with Kaffe. Attendees were here from many different European countries, as well as other areas of the Middle East. One of my table mates had only just started learning to quilt 10 days before this trip because she was such a huge fan of Kaffe’s work.

Made up of 25 rows of diamonds, the quilt pattern itself was not a difficult one. The challenge would be in developing pleasing color combinations. We started by laying out our intended fabric choices and Kaffe went around and suggested improvements.

Mala Ramakrishnan, one of the organizers of the Dubai Quilt Show, starts her quilt design process

In my case, a rainbow of colors was too much for this design – he recommended I decide on either a warm or cool palette and going from there. The class started with a talk about Kaffe’s vision for this quilt. The colors should “tumble down” gently from top to bottom – your eye should not be drawn to a specific row yet there should be some excitement to the eye as well. A tall order.

One of the surprising comments that Kafe made at the beginning of the class was that more often than not, he noticed that students would make a quilt in the colors of the clothes that they wore, and he was quite right. It was interesting to see how at the end of the day a blue themed quilt was made by someone wearing a blue cardigan or a predominantly yellow quilt was put together by a student wearing a yellowish top.

One of the students picks and cuts fabric for the her design

For the next six hours we cut fabric and auditioned it on the felt design wall. If we did not bring the right colors with us, there were plenty of fabric choices available from the show organizers, including a huge selection of Kaffe’s fabrics. This was not a class about sewing a quilt top. This was purely about putting together a design that had the undeniable look of a Kaffe Fasset quilt.

A class with Kaffe Fasset
A class with Kaffe Fasset

Throughout the day, Kaffe and his partner Brandon Mabley gently guided the students along, making suggestions on color choices as each row developed. It was interesting to watch Kaffe’s single minded concentration as he focused on each person’s, deciding if the fabric choices worked together and recommending options if he thought they did not. The high level of intensity and energy that he maintained all day despite having passed the age of 80 was incredible.

Brandon Mabley helps out with one of the student designs
Brandon Mabley helps out with one of the student designs

By the end of the class, everyone had a basic layout designed for their quilt that they were pleased with, though maybe not all the blocks were cut or put up. The walls of the room were a rainbow of colors and each quilt was an individual piece of art.

Some of the quilt designs at the end of the class
Some of the quilt designs at the end of the class
Some more of the quilt designs at the end of the class
Some more of the quilt designs at the end of the class

We finished with a show and tell as Kaffe and Brandon went around to each quilt and evaluated the final results. Here once again, Kaffe’s colorful vocabulary came out as he described with sincerity and passion what attracted him about each quilt. This final discourse was as much a critique as it was another lesson in the language and the concepts of Kaffe’s color world.

Final class review of quilts with Kaffe Fasset
Final class review of quilts with Kaffe Fasset and Brandon Mabley

He highlighted what he loved about each quilt using words that were also emphasized with large, expressive whole-body gestures. As he pointed out specific details about the color combinations that he admired in each example, phrases like “love the chanciness”, “otherworldly palette”, “sings out” and “absorbs heat” were combined with positive encouragements like “gorgeous”, “stunning”, “outrageous”, “lush” and “delicate”. You could see each student glow with joy as he praised their color innovations.

Kaffe discusses one more of the class quilts
Kaffe discusses one more of the class quilts

At the end, we all rolled up our designs inside the felt design wall without ruining the layout. Now all that was left was to sew it all together and then quilt it. This would forever be a tangible reminder of the day we spent with the design genius for whom “color was like breathing”.

You can find information on Kaffe Fasset’s next workshop on his website at http://www.kaffefassett.com/ .

Besides this quilting class, I have also taken and written about a quilt class with Crafty Retreats in France as well as the Judy Niemeyer Quiltworx class that I took at her retreat house in Montana.

Thanks for visiting.

Rose

 

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